Presently I am working on two large silk paintings to hang in Plymouth Congregational UCC Church, Seattle WA. http://pcucc.squarespace.com/Plymouth has a church community heritage of social justice in Seattle that dates back to the late 1800s, and is the second oldest congregation in Seattle. It is surrounded by skyscrapers full of busy financial offices and important businesses.
The space inside is very tall. In fact the church inside feels more like a cathedral than a typical church building. The architect designed the sanctuary to look like a jewel box, especially at night, when light can shine out of the narrow columns of stained glass windows between the 30 foot panels.
In designing silk paintings for this church I've decided to take a cue from the building itself and mimic the panels between the windows in shape and size. So my silk panels will be 30 feet by 5 feet, and hang in front of the sanctuary on each side of the nave.
I have been working with the congregation over a long period of time, getting to know who they are and where they are going in order to design something meaningful and appropriate for them. What I discovered is that they are in a time of great transition, with intentions of re-igniting their life as a socially active worshiping community that serves the diverse peoples and needs of Seattle.
The design I have chosen to develop for Plymouth uses the symbol of the butterfly to represent metamorphosis, the labyrinth for the journey, and the celtic knot to represent the interrelationship of all. This idea did come mysteriously, as some do. I believe the Spirit, or at least a muse was involved. The images landed on top of my desk as I was cleaning out a file and by the power of their interaction I knew something was afoot in the upstairs department. To the left you can see what the muse left on my desk.
I'll catch you up to where I am now on the project, and keep you posted on my progress. Kristen
Interested in painting? I work with oils, acrylics,watercolor, silk dye on silk, and stained glass. My work tends towards realism, a titch towards magic realism, and definitely towards the colorful and emotional.
Interested in public art? I work a lot with churches, as I believe that art can change the world. Churches at their best are venues for radical cultural change. My artistic goal in making art for churches is to help tie the rhythms, beauty and wisdom of sacred creation back into our humanly constructed sacred spaces.